Italian Early Renaissance Painter, 1445-1510 Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s   Related Paintings of Sandro Botticelli :. | Saint Corney Lees | Madonna and Child or Madonna of the Rose Garden | Annunciation | Lamentation over Dead Christ | Salome with the head of St john the Baptist (mk36) |
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Ludolf de Jongh
1616-1679 Dutch Ludolf de Jongh Galleries Dutch painter. He was one of the most versatile Dutch painters of the 17th century, producing portraits, genre paintings of both domestic scenes and soldier life, landscapes with hunting scenes and a few historical subjects. According to Houbraken, he studied with Cornelis Saftleven in Rotterdam, Anthonie Palamedesz. in Delft, and Jan van Bijlert in Utrecht. In 1635 he went to France, where he stayed for seven years. His earliest known paintings are portraits and genre subjects that date from after his return to Rotterdam in about 1642 and strongly reflect the style of Palamedesz.'s work. The genre subjects and numerous hunting scenes (e.g. Riders before an Inn; Geneva, Mus. A. & Hist.) painted shortly before the 1650s show the influence of van Bijlert and other Utrecht painters, especially Jacob Duck and Dirck Stoop.
Pieter Brueghel the Younger
(1564 or 1565 - 10 October 1636) was a Flemish painter, known for numerous copies after his father Pieter Brueghel the Elder's paintings and nicknamed "Hell Brueghel" for his fantastic treatments of fire and grotesque imagery. Pieter Brueghel the Younger was the oldest son of the famous sixteenth-century Netherlandish painter Pieter Brueghel the Elder (known as "Peasant Brueghel") and Mayken Coecke van Aelst. His father died in 1569, when Pieter the younger was only five years old. Then, following the death of his mother in 1578, Pieter, along with his brother Jan Brueghel the Elder ("Velvet Brueghel") and sister Marie, went to live with their grandmother Mayken Verhulst (widow of Pieter Coecke van Aelst). She was an artist in her own right, and according to Carel van Mander, possibly the first teacher of the two sons. The family moved to Antwerp sometime after 1578 and Pieter possibly entered the studio of the landscape painter Gillis van Coninxloo (1544 - 1607). In the 1584/1585 registers of Guild of Saint Luke, "Peeter Brugel" is listed as an independent master. On 5 November 1588 he married Elisabeth Goddelet, and the couple had seven children. He painted landscapes, religious subjects and fantasy paintings. For this last category he often made use of fire and grotesque figures, leading to his nickname "Hell Brueghel". Apart from these paintings of his own invention, Pieter Brueghel the Younger also copied the works his father had created by using a technique called pouncing. His genre paintings of peasants lack Pieter the Elder's subtlety and humanism, and emphasize the picturesque
Frank Bramley
English Painter, 1857-1915 was a British post-impressionist painter of the Newlyn School. Bramley studied at the Lincoln School of Art from 1873 to 1878, later at the Royal Academy of Fine Arts Antwerp from 1879 to 1882. After staying in Venice from 1882 to 1884, he moved to the Newlyn School artist colony in Cornwall. Bramley worked on combining natural and artificial light in his paintings. His A Hopeless Dawn (1888) was bought by the Tate gallery. He married artist Katherine Graham in 1891.